New 'Catching Fire' Stills From Germany's Bravo Magazine
Thanks to our friends at QuarterQuell.org we've got higher quality versions of the new Catching Fire still from this morning PLUS a new one! The photos are from Germany's Bravo magazine.
Thanks to our friends at QuarterQuell.org we've got higher quality versions of the new Catching Fire still from this morning PLUS a new one! The photos are from Germany's Bravo magazine.
A new Catching Fire still showed up on tumblr this morning! Looks like it's from the party at Snow Mansion and from the text on the photo it's out of a German magazine. We'll get you the HQ version as soon as possible.
Thanks to lieghtwood on tublr and the always eagle-eyed QuarterQuell.org!
And a slightly higher quality version thanks to THGAustralia.
Last week The Hunger Games Explorer gave us 20 new Catching Fire character stills. Today, our friends at QuarterQuell.org posted the full, uncropped, Hi-Res versions of the stills and we have them here for you. Also, be sure to check out the Catching Fire Movie page on The Hunger Games Explorer for movie posters, cast and crew bios and tons of pictures.
See the rest of the full size images in our Gallery (click each image to enlarge).
The digital edition of Vanity Fair's October 2013 Issue is finally here! We've scanned the beautiful photos from the article, "Let The Games Continue" for you. The photos, shot by Lionsgate CMO Tim Palen, feature Katniss, Peeta, Finnick, Gale, and Effie in stunning black and white with one lovely color close-up of Katniss. Read the article HERE.
October's Vanity Fair includes a feature on Catching Fire, including some never-before-seen portraits of Katniss, Peeta, Effie, Gale, and Finnick shot by Lionsgate CMO, Tim Palen.
Jennifer Lawrence Vanity Fair October 2013
The Hunger Games films may have begun as Suzanne Collin’s hugely popular trilogy of books aimed at young adults, but with a new director and a star who scored the best-actress statuette at this year’s Oscars, the second installment of this blockbuster franchise is all grown up.
“One of the big overarching themes for all the books is this idea of the consequences of war, and one of the unfortunate consequences of war is post-traumatic stress,” explained Francis Lawrence, who directed The Hunger Games: Catching Fire, out this November. In this movie, not only have young leads Jennifer Lawrence and Josh Hutcherson aged nearly two years, but also their characters, Katniss and Peeta, have returned to their home district haunted by what they’ve seen and done. “That’s one of the first things you see in the movie,” the director adds. “They’re changed people because of having been in the Games.”
The Games is the annual event that unites the 12 districts of the fictional nation of Panem. Twenty-four teens are chosen to battle to the death using a variety of weapons in a gruesome display meant to cow the populace. Only when it became their turn to kill or be killed in the earlier film, Katniss and Peeta broke the rules - and for the first time there were two victors. This act of defiance sparked a rebellion in the districts, and in Catching Fire Peeta and Katniss must struggle with their roles as unwilling icons - not to mention taking another round in the arena against other previous champions.
Those new foes include Jena Malone, Amanda Plummer, Jeffrey Wright, Lynn Cohen, and a sensuous and tricky Sam Claflin. They expand an enviable ensemble that already featured Donald Sutherland as the nefarious president of Panem, Elizabeth Banks as Katniss and Peeta’s increasingly self-aware chaperone, and Liam Hemsworth as a young miner who competes with Peeta for the affections of our heroine. The director - no relation to his star - describes the group as “The sort of fantastic actors that you empathize with, that you feel a warmth for.” That is, until they start trying to kill one another.”
- Chris Rovzar
Thanks to Quarter Quell.org for the tip and FashionScansRemastered for the scans!
No one is a victor by chance.....
A new victor revealed daily at The Hunger Games Explorer. Who will be the next to appear? Tweet your guess with the hashtag #VictorsRevealed.
Now HERE'S the new information (along with some old information) we were looking for last night when we cracked the digital edition of EW. Just posted to EW's Inside Movies Blog is an interview with Francis Lawrence and producer Nina Jacobson:
First off, let Catching Fire director Frances Lawrence assure the ardent fans of Suzanne Collins Hunger Games series that their sacred text will always be honored: “The movie is very, very true to the book,” he says. But when he first met Collins last spring, the two hunkered down and hammered out a new beat sheet for the sequel. And together they were merciless about what wouldn’t serve the screenplay adaptation. Here’s three changes readers should expect in the film (in theaters November 22):
1) “We made some changes to Peeta’s narrative,” says Lawrence. “We manned him up a little. And by the way it didn’t take a lot, just little choices to make here and there. The story doesn’t really change, his relationship with Katniss doesn’t change, he’s just a different kind of character.” For instance, in the book, the Hunger Games kicks off and Peeta is paralyzed when the other all-star tributes dive into the water. “The option is for either me drowning or sitting there like a cat batting my paw into the water,” says Josh Hutcherson with a laugh. “Either way the visual is horrible.” Easy fix: Let Peeta swim.
2) Goodbye Bonnie and Twill. In the book, Katniss stumbles upon the District 8 refugees in her father’s hunting cabin. There they reveal to a stunned Katniss the existence of District 13 and news of the spreading revolution our hero unintentionally sparked with her act of rebellion at the end of The Hunger Games. So the movie had to find a new way to introduce the news of District 13. “That’s fun,” says Lawrence, “figuring out new ways around things and new ways of doing things.”
3) Darius, we hardly know ye. District 12′s youngest peacekeeper, who pays dearly for intervening during that terrible scene of Gale’s public whipping, didn’t make the jump from page to screen. It’s another instance of storytellers having to drown one of their kittens. “It’s as agonizing for us to lose things from the book as it is for a fan,” says producer Nina Jacobson. “I want every single thing in there. But you know what? If you have to give up something in order to give more time to Katniss and Gale or to Effie as she starts to feel a conscience, you make the sacrifices in order to serve the characters and themes that are more essential.”